The below three reasons are the main common errors when writing for tv...
Writing Error 1: Making Characters Stupid
One of the biggest flaws in new scripts is the plot being advance primarily through the main character's stupidity. This is most noticeable in many of the modern slasher-horror films that have appeared in the last ten years. Whilst hunting a vicious killer through a ghostly mansion, one of the group will inevitably pose the immortal question: 'Why don't we split up and look for him seperately?' Cue a groan from the audience who can immediately think of five reasons why not: not least that it will inevitably lead to the horrible deaths of at least two of the group.
The character doesn't suggest splitting up because it is the most sensible path: they suggest it because the writer needs at least three of the group to die before the final confrontation in the castle dungeon, and aside from this character's complete lack of common sense they cannot think of a single way for it to happen.
IMPORTANT: If a script's plot is reliant on a character making a complete moronic decision, then the plot needs re-thinking.
Writing Error 2: Scenes That Go Nowhere
Rule 101 of writing for TV: EVERYTHING in the script should have a purpose, especially scenes. If there is a shot of the protagonist sticking a large piece of gum to the wall before entering a warehouse, then it had damn sure better end up being a piece of plastic explosive, or at the very least be blocking the factory's wireless port. If a mafia boss is discussing the merits of a client being 'Iced', then he should not be referring to them having a healthy temperature.
Rule 102 of writing for TV: If a scene can be cut without impacting the plot, then it should not be used. It will only end up wasting money - something unforgivable to any sensible show executive.
Writing Error 3: A Script That Loses Tension As It Goes Along
The viewer should always be wanting to know what will happen next: if their interest starts to decline, then they will change the channel.
Because of this, every scene should not only advance the plot, but should also present a question for the viewer: not necessarily a huge problem (even regular crime fans can only tolerate so many dead people), but just something for the viewers to ponder about: why does the main cop's wife seem so distant? Is that tattoo that they saw on the killer's arm identical to that found on the chest of the victim? Does the square-jawed athlete that the heroine is falling for have a drug problem?
It doesn't matter what the question is, as long as the viewer wants the answer. As soon as the show runs out of questions, the viewer will run out of interest: guaranteed.
Anyone focused on writing for TV should avoid these three main writing errors like the plague.
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Shaun Edwards - Shaun Edwards graduated from the University of Essex, UK with a BA in Creative Writing. SInce then he worked for a variety of different ...
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